Saturday, January 7, 2017

Saturday Revue January 7: Tangled River

Blast Off Into The Future With 

Worlds away and millennia hence, a young girl is trying to become a woman. It isn't easy for Tanya either. Technology brought from Earth is breaking down. School is boring, boyfriends on the settlement are rare, and her best friend may be dating AN ALIEN. And to top it all off, this settlement's last link with Earth has just been cut off. What a way to grow up!
Tangled River is the creation of the entity known as Snowshadow, and can be found at this link. 

The Rating


Looks like the educator gave you a B minus, Tanya. Not bad, but we've got some work to do.

The Raves


It was the writing that first captured my attention in Tangled River. This is one of those comics that truly captures the voice and thought processes of a young teen. Too many writers write either college students passed off as teens or impossible dolts, but Snowshadow has written young characters that are both relatable and believable. Tanya, the dutiful girl trying to be brave, is well balanced by her best friend Licorice, the wild girl who needs to learn some introspection. 
and they live in a well built and immersive landscape that is described through the actions of the characters. Pulling off a truly immersive world experience isn't easy, but Snowshadow gets very close to achieving it.

Both art and writing riff on the Golden Age Comics, with simple, classic storylines and an almost clinical approach to anatomy and color. Everything is direct, supremely clear and distinctive, with an interesting use of color. If the creator was going for nostalgia they've nailed it; you can practically feel the foolscap paper between your fingers.


 The Razzes

Unfortunately, if it hadn't been for excellent writing, I might well have gotten bored and wandered off. Why? Because the art had very little visual draw. It was well done, it was accurate...and that's all it was.

The Comic Color Is As Flat As The Paper

To a degree, color is a stylistic and subjective choice. But there are things to consider, and one of them is whether your color draws the eye.
There was a time when all comic color was flat, back in the Golden Age, but this wasn't intentional. According to Scott Beatty, "Printing before the advent of computers used two processes for separating colors into CMYK (Cyan, Magenta, Yellow and Black). One process was to shoot separations from the photograph or artwork with a stat camera, ending up with four pieces of film that could be stripped together onto a larger project. The other process, used by comic book companies to color their black line drawings, was to use overlays.
The technique was to use three pieces of acetate lined up on top of each other over the artwork page, each representing C, M or Y. Usually this acetate was rubylith, a product still used in screen printing today (to print on material and other substrates). Where the reddish film was cut away from the acetate ink would not print. Where the film was left ON the acetate, the camera negative would leave a blank spot, and ink would print."
This created good solid color, but it wasn't all that good at shadows. So, you ended up with work like this classic Batman (mis?)print. Hence the 'classic' look. Now, it's all well and good to go for the nostalgia of the style, but we're digital these days. We can do more than our forbears could, and if we want to catch a reader's eye, we have to. Right now the color palette of Tangled River is so muted and the shadows so pale that the eye wanders.
For example, this firelight scene.
It's fine. That's all you can really say; not anatomically incorrect, right angles, everything is...fine.
But let's do better than fine. Here's what can be done by simply upping the contrast a bit.

already, the eye is more attracted to the image. Now try adding some shadow. Shadow is how the human brain understands something is 'there' in the world, and shadows in art add weight and reality to objects. Without it, a deep part of your brain whispers 'that isn't really there, is it?' and this unspoken instinct colors your ability to be interested.
I timed myself for 5 minutes adding some very quick and dirty shadows with the Dodge/Burn tool to this image in Gimp, and got these results:

Five minutes shading and upping contrast to go from visually fine to visually fascinating. It's time worth spending.


The Reader Is An Observer, Not A Participant. Camera Angles And Focused Eyes Can Help! 

I had the same problem reading this comic that I used to have reading superhero works: the camera angles left me cold. Now, establishing shots are important, don't get me wrong. A good artist makes sure there are establishing shots to ground the reader in the world. 


But when every shot seems to be taken at one remove, a sense of distance grows up in the reader like a weed. We don't feel involved in even the most interesting scenes. This isn't helped by the fact that even the characters seem disinterested; often, their eyes aren't really focused on one another.  When drawing eyes, focus on focus! NImportant gives us a good example: the eye really should focus on the object it's viewing.

2)Less Perfection, More Emotion. Nobody Wants To Read About Mannequins


Thanks to Melaredblu for help on this infographic
They say a picture is worth a thousand words. Try this.

These are issues that crop up again and again, and are behind the sense that the art is good but not great. The characters seem more like posed mannequins than people. For more help in this area:
Anybody know who did this lovely tutorial?
  • read up on lines of action in animation
  • do some life drawing. It can be as simple as sketching in a coffee house
  • push your poses. Exaggerate things! 


The Revue

Not a bad first try at all. I look forward to seeing where it goes!

Sunday, December 11, 2016

Sunday Revue December 11:Fighting Dreamers

Look Out, Cat's Out Of The Bag! Better Call In The


Whenever something dreams, a universe is created. Thousands are spawned in a day.
But when these universes are under threat by monsters that aim to destroy them, warriors are needed to protect these universes. And that's where the Fighting Dreamers come in. The creation of nom de plume MannyKat8x, it's a romp. Leaping into dreams in peril, the Fighting Dreamers rescue our inner lands.
Oh, and did we mention that they're house cats?

The Rating

Quite the Cat's Meow!


The Raves

A clever take on the 'Inception' concept, 'Fighting Dreamers' has the cocky attitude of 'Top Gun', 'Agents Of SHIELD' and other scrappy-new-recruit works that catches the eye.
In terms of story, 'Dreamers' amuses at all times. The trouble a cocky new recruit doing dangerous work can get into is impressive, and all facets of the learning curve, both personal and experiential, are explored with a sour humor that will make you smile. I think many readers will see themselves both in the overconfident young breakaway Stewie and his superiors, who spend a lot of time smacking their furry foreheads with their paws.

The art is done in a loose, sketchy style and generally blue-shifted color palette that owes a bit to the styles of modern 'Cartoon Network' staples, though it has a feel all its own. The work focuses its emotional effects on exaggerated facial expressions to good effect. The feline teeth certainly help the impression along, especially in cases of annoyance.


The Razzes

There's several issues with this comic, but they may all stem from the same root cause: there's a slight case of creative myopia going on. The creator has focused so closely on writing Stewie's career that we're not really given an introduction into what he's doing as readers, only that he's doing it. Unless you read the 'about' section, you really don't know the reason for the monsters or the fight...and expecting readers to read the 'about' section is creative bad form.  That should be an extra treat, not a prerequisite.
Speaking of extra treats, there are some information pages, but they've been sadly neglected since the inception of the comic. We are reading comic works; informative blocks of text on the extra pages really aren't all that attractive. Even some decorative pngs would be a help!

In the art, there's so much focus on the face that the rest of the bodies seem neglected by comparison, with limbs delineated in simple straight lines. Don't get me wrong, the anthropomorphization is something I really appreciate.I'd love to see more work on the anatomy.

An actual cat's back and legs are very, very flexible, and straight lines don't do them justice. I'd suggest a little more work on matchstick outlines to capture more of a sense of motion. I'd love to see more work on integrating actual feline body language into the characters as well. A good example is below. 

The Revue

Purrrfectly sweet and  an amusing romp through dreamland. Well done!

Monday, November 14, 2016

Thanksgiving Intermission!


Taking a break until after Thanksgiving everybody! Go grab your snacks, have a chat, and it's on with the motley the Saturday after the Turkey. See you then!

Monday, October 31, 2016

Light The Fire, Gather Round! It's A Halloween Triple Feature!

All Hallow's Eve! When the darkness comes knocking, when the air smells of pumpkins and fallen leaves, it's time to explore the grim and the ghastly. Which is what we plan to do today!
Today, we'll be posting a Halloween Double Feature review of 'Patrick The Vampire' and 'Hopeless Maine', followed by a Monthly Matinee feature, 'The Masks We Hide Behind' after dark.
Snuggle down, dim the lights and hold on tight, Halloween has come to town!
And as an extra special gift for our Strip Show readers, here's four spooky Ray Bradbury stories. When the sun goes down, listen. Feel the turning of the world, and the shiver in your blood.Happy Halloween!
From The Dust Returned-https://www.youtube.com/watch?v=O0jW-MOCRWU
The Halloween Tree-https://www.youtube.com/watch?v=p09F0GXY7vc
Something Wicked This Way Comes-https://www.youtube.com/watch?v=XmGQ2IZCxmk
The October Country- https://www.youtube.com/watch?v=CNegOsA74j4

Halloween Double Feature Revue: Patrik The Vampire

Sink Your Teeth Into This!

Everybody's just trying to get by in life, really. You go to work, you pay your rent, you hang out with friends, you catch a guy down a back alley and drink his blood...

wait, say that again?
It's just another day in the life of Patrik The Vampire, the work of Bree Paulsen. According to Bree, 'Patrik’s a fun-loving guy who enjoys knitting and baking, visiting his friend Becky at the local coffee shop, and is a proud member of his neighborhood’s book club. He’s just a really nice guy trying to live a normal life.

Oh! And I almost forgot! He’s a vampire.'

The Rating

 Bloody good!

The Raves

From the earliest pages, this comic showed itself to have a wonderful grasp of writing style and the artistic chops to carry it off. The art and the script work together in seamless harmony, a deft sense of framing and imagery perfectly supporting witty one liners and snappy rhetoric, keeping us engaged with every page. 
The creator's pulled off the feat of creating a work that makes you think but still makes you laugh on a regular basis, and that's no easy trick. In the early pages, the comic is mainly a vehicle for well-done humor, but soon the story grows into something more: an exploration of personality, guilt, redemption and the longing we all have at some point in our lives to reach beyond our own lives and connect with others. Put plainly, Patrik wants so badly to make a friend! There are some deep themes in this  piece, but the writing and dialogue make sure that it never gets too heavy.  The art style helps keep the atmosphere from getting too dark: the loose playfulness of watercolor paints, the bright, chipper colors and stylized drawing flair keep what could have been a very grim piece in the realm of the cheerful, self aware comedy.
There's some solid characterization in this work: Patrick's desperate cheerfulness reminiscent of a recovering addict who desperately wants to prove that he can be a good man is wonderfully balanced with his two diametrically opposed best friends, one bitter as black coffee boiled too long in the pot, the other sweet and wholesome as a fresh baked cinnamon roll. Add in a cranky cat and a cute cast of background characters, and you have a recipe for a great comic.

The Razzes

I'll be honest. I've nothing to complain of. Hats off to you Paulsen! Personally I like to read the work on Taptastic because I find annoying Tumblr's habit of insisting that a click on the image means you'd like to see the image as a separate tab rather than going on to the next post, which is what I'm trained to do by most comics, but I understand that this is the fault of the platform, not the creator. In terms of art, writing, or workmanship, no complaints!

The Revue

Here's your Halloween treat, enjoy!






Halloween Double Feature Revue: Hopeless Maine

Are You Ready For A Story?

Listen Close, And I'll Tell You Of Hopeless, Maine...

So glad to have you come to town. Mind your step, you don't want to trip on a tentacle.Oh, her? She's the nanny for a local family. Didn't you know ghosts make the best nannies? Oh by the way, the town witch's selling curses at half price this week. Only the best quality of course. None of this mass produced plague rubbish.
Welcome to Hopeless, Maine. It was imagined by Tom Brown, written by a woman he ensnared in his imagination (she's now Nimue Brown) and ready to ensnare you....
According to the creators, 'The small island of Hopeless, off the coast of Maine, is a breeding ground for demons, freaks, vampires, and other creatures of the night. Our story follows Salamandra, a young girl with one foot in our world and one foot in the otherworld, as she navigates a life on the edge of reality.'
You were warned. 

The Rating

Spooktakular!

The Raves



Dark. Shadowed. Things you can't name moving out of the corner of your eye. In a word: atmosphere. This work has it in spades. Every panel, even the most mundane, has a sense of something shivering on the edge of your vision: something unseen, unnamed and all the more disturbing for it. And then of course there are the blatant dissonances with reality: the family (skeleton) dog, the dead nanny who sometimes forgets to hide the fact that her face is a skull. The neighbors sleeping in their coffins. The tentacles in the bay. All these things are accepted with perfect equanimity by the residents of Hopeless, lending the work an air of macabre magical realism reminiscent of Ray Bradbury's 'From The Dust Returned' and 'Something Wicked This Way Comes' as well as a hint of Neil Gaiman and Brom, a dash of Lovecraft, and a little Addams Family in there somewhere too.  It's a truly thrilling and beautiful work. Oh, and the characters are pretty thrilling too! The town witch, the preacher's son, the girl who plays with lightning, each of them is at once an archetype and a character in their own right; stubborn Owen, dreamy Salamandra, each with their own yearnings and kennings. 
The storytelling beautifully balances the mundane and the mysterious, playing on the unique human ability to accept almost anything as 'normal' if it's presented right. The storyline explores many of our deepest human motivations: to fit in, to have power, to feel safe. And it explores the dark uses those needs can be turned to: combine the need to feel like part of the group and the need to do something in the face of an event that makes you feel helpless-a plague, say- and you have witch burnings. Combine the fear of death and the invitation of a friendly smile, and you might just sell your soul.
But it's really the art that sells this fantastic and fanciful world where the veil between real and unreal has been shredded to ribbons and left to twist in the wind.


The Razzes

I would have liked to give this comic a ten, but there's a snag. The art's stunning. The writing's superb. But the reading platform? That flies like a lead balloon, and no amount of magic is going to make it less of a burden.
Here's what happens: You go to the Hopeless Maine site. You get a page with eerily beautiful illustration, an introductory explanation...and no comic. Puzzled, you begin to poke about. Under the 'books' section, you find a list, click one. 
Another beautiful illustration with a link to 'read the book here'. You're then redirected to a yumpu.com digital image of the book, and your torture begins. Click to read and you get an insanely blown up version of each page with text that's grainy. Not unreadable, mind you...but awfully close. It doesn't help that the text is somewhat crammed in its word bubble to begin with, but I believe the fault lies with the upload. The art's fared far, far better than the text has when being scanned in. You click again...and the image arbitrarily shrinks again because apparently you clicked the wrong spot. Surprise. The fact that you spend a lot of time mucking about with your mouse, frowning, clicking and frowning again to read each page or properly view each image....you begin to see the problem.
I can see the creators' reasoning: they want to sell books. They want you to see how beautiful the books are, but they want to give you a reason to buy the better quality version. All that said, as a reader if what I remember about your work is being annoyed, I'm less likely to buy it. Dear Mr. and Mrs. Brown, if something is to be hosted on the web, please make it easily readable on the web. It's a terrible amount of work to redo all that text...but it might just be worth it.

The Revue

A must read. Eerie beauty that shivers in your bones and sticks to your dreams. The perfect read on a Hallowed night....with all the candles lit.

Monthly Matinee October: The Masks We Hide Behind

The Masks We Hide Behind; Geek Culture, Free Speech, Harassment And Internet Anonymity. It Matters For All Of Us.


 The Magic

Masks. Pull one on, and your identity is concealed, revealed, improved or obscured. It's an intoxicating thing, this freedom. It is, in fact, so beguiling that the German language has a word for it: Maskenfreiheit, the freedom conferred by masks.  We love the power a mask confers, especially those of us who read comics and delight in comic culture. Conventions, cosplay, roleplay, stepping into the protagonist's shoes. Behind the masks, we do all the things we didn't dare. Behind a mask, a blind man becomes the savior of Hell's Kitchen, a mild mannered journalist saves Metropolis, a wealthy dilettante becomes the Dark Knight and a scared girl becomes a Marvel with a capital M.
 A quite unassuming person pulls on a mask and SHAZAM, they're a superhero!
Or a supervillain.


The Mask

In the age we live in, we've been given the best mask of all: the world wide web. On the web, we're free to really be ourselves, to indulge the things that we might not be able to talk about or do in our daily life. On the web we let out parts of our personality that yearn to be free. We change all kinds of things when we interact on the web in venues that range from chat rooms to rolepaying games: species, sex, social standing. Some of us are heroes on the Web. Some of us are teachers, storytellers, performers, artists, friends, guides, students, guardians.
But behind the masks, some of us transform into something else. Sometimes, we become monsters.

The Trolls 

Art by Wil Huygen

We call them The Trolls, those who use the anonymity of their masks to indiscriminately hurt and shame others. If you create content on the Web, chances are you will someday encounter a Troll. They're the person who randomly posts 'you suck' on your new art piece. The person who goes on a rant on your comment thread and destroys the conversation because you don't agree with them on a point, however minor it is.
Some trolls are simply annoying. Some are terrifying.
Cyber-harassment or 'trolling' is a problem that's gone from bad to worse in the last few years. It can affect anyone, but it tends to fall most heavily on people with progressive views and women in the media. If you're both, you might as well have a target on your back.
Take Gamergate.  In Carly Smith's IndieWire article GamerGate: A War on Women Hiding Behind a Mask of “Ethics” , she wrote up several disturbing interconnected cases that occurred in 2014, started by an angry ex-boyfriend of Zoe Quinn and infecting the lives of two other creators:

*The case of Brianna Wu, an independent game developer who was threatened so badly and so often online that she has had to move her family from an address disclosed by a troll online and ask for a security detail when she attends conventions. Why? Because she defended Zoe publicly and said 'You cannot have 30 years of portraying women as bimbos, sex objects, second bananas, cleavage-y eye candy," she said. "Eventually it normalizes this treatment of women. And I think something is really sick and broken in our culture." You can read more about this on the well-written Inc article by David Whitford.  

This was an actual Twitter account linked  to a game
that let users punch
an image of Anita in the face. 

*The case of  Anita Sarkeesian. According to Smith, 'For pointing out demeaning stereotypes of female characters within video games in a series of YouTube videos, feminist cultural critic Anita
Sarkeesian has received bomb threats, shooting threats, rape threats, and death
threats from certain parts of the gaming community. Just this past week,
Sarkeesian canceled a speech she was going to give at Utah State University,
citing possible dangers and insufficient security measures after an anonymous
threat promised "the deadliest school shooting in American history"
in response to her presence on campus.'

The ubiquitous Troll




We can talk about these cases all night, unfortunately. The wonderful actor Leslie Jones of the new 'Ghostbusters' movie was recently harassed off of Twitter by misogynistic, racist viciousness. Back in June Jonathan Weisman, the deputy Washington editor of the New York Times, quit Twitter after a barrage of anti-Semitic messages. And now Chelsea Cain has been bullied out of social media, just this past month.
Chelsea's crime? A t-shirt with sass
Chelsea Cain is a comic writer and an artist of her craft. Recently, she celebrated and joked about the short run of Mockingbird (Marvel Comics) as it ended by putting the heroin in a tshirt reading 'ask me about my feminist agenda' on the cover of the last issue.
She was harassed so badly that she deleted her Twitter account.This is Chelsea's experience in her own words. https://chelseacain.com

An artist was just forced out of the space of public discourse by viciousness and misogyny.
Why?

The Troll Caves

Unfortunately, there's no easy answer to the reason people become Trolls. Psychology, social status, and cultural conditioning all play a part in creating a Troll. Psychologically, the very anonymity of the internet helps to allow for Trolls. Several psychological experiments have proven that people, when they feel they aren't being watched, will behave much more badly than usual. We need other humans to act human, essentially. When we feel that no one is watching us, some of us feel free to indulge our darker urges. It's so easy to lash out when there will be no repercussions.
In his article for Dark Psychology, Michael Nuccitelli, Psy.D. wrote  'the Internet Troll is a unique creature to say the least. In essence, the Internet Troll is what this writer calls Cyber Environment Dependent.

Cyber Environment Dependent simply means that an Internet Troll requires access to cyberspace in order to engage in their nonsensical passive aggression. Without having what this writer calls the “veil of anonymity” available to all online users, Internet Trolls would be non-existent. If anything, and without going into a long diatribe, if they could not hide behind their technology, “they would quickly have their ass kicked for their incessant provocations.” Prior to the internet, Internet Trolls were men, women and children who kept their subconscious fantasies for power, control & dominance between their ears hoping to one day ascend to a position in life whereby they could feel psychologically superior. Now with the internet and a cyber environment to interact with others without being in the physical presence of others to communicate, the Internet Troll flourishes.'
Okay. That might be a wee bit over the top in terms of rhetoric. But several reputable news and research groups have looked into this issue and found much the same thing. The trolls? They really are losers. They're miserable, and they give vent to misery by attacking others. For a moment, they're the one in charge. For the moment, they have power.
Paul Jun, in his insightful and useful 99U article  Don’t Feed the Haters: The Confessions of a Former Troll put it best of all when he described what drives a Troll:

1.They’re bored: Trolls lack stimulation “IRL” (in real life), for good or ill, so they seek it online where it’s readily available and easily acquired. A troll’s behavior reflects a deep insecurity so having someone respond to their words gives life meaning, regardless of how pathetic that may sound. I raided that wedding because I wanted to be noticed and talked about. Random people cursing me out through private messages or the general chatroom invigorated me. I was so bored with my real life, and even my virtual character’s life, that I learned to find joy in harming others. If a troll had something better to do, like work or a hobby, they wouldn’t have time to troll. The next time you find yourself posting a negative comment think about why you’re doing it.

2. They want attention: All a troll wants is you to turn the spotlight onto them. They want you to repost their comment to your followers. They want you to write a blog post or status about them. They will use anything and everything to get it. They will criticize you, post inflammatory comments, or write remarks just to make you wonder how someone could be so dumb. The problem is that you will feel compelled to respond to “set things right.” Even if you respond in a cheerful or positive way, you’re still feeding the troll.
Art by Vaejoun on Deviantart
I'll add a number three to that: Trolls are usually unsatisfied with their own lives. Not just bored. Miserable. Unfulfilled. UNHAPPY.
To illustrate the point, Joel Stein tells this story in his Time article:
"I’ve been a columnist long enough that I got calloused to abuse via threats sent over the U.S. mail. I’m a straight white male, so the trolling is pretty tame, my vulnerabilities less obvious. My only repeat troll is Megan Koester, who has been attacking me on Twitter for a little over two years. Mostly, she just tells me how bad my writing is, always calling me “disgraced former journalist Joel Stein.” Last year, while I was at a restaurant opening, she tweeted that she was there too and that she wanted to take “my one-sided feud with him to the next level.” She followed this immediately with a tweet that said, “Meet me outside Clifton’s in 15 minutes. I wanna kick your ass.” Which shook me a tiny bit. A month later, she tweeted that I should meet her outside a supermarket I often go to: “I’m gonna buy some Ahi poke with EBT and then kick your ass.”

I sent a tweet to Koester asking if I could buy her lunch, figuring she’d say no or, far worse, say yes and bring a switchblade or brass knuckles, since I have no knowledge of feuding outside of West Side Story. Her email back agreeing to meet me was warm and funny.

I saw Koester standing outside the restaurant. She was tiny–5 ft. 2 in., with dark hair, wearing black jeans and a Spy magazine T-shirt. She ordered a seitan sandwich, and after I asked the waiter about his life, she looked at me in horror. “Are you a people person?” she asked. As a 32-year-old freelance writer for Vice.com who has never had a full-time job, she lives on a combination of sporadic paychecks and food stamps. My career success seemed, quite correctly, unjust. And I was constantly bragging about it in my column and on Twitter. “You just extruded smarminess that I found off-putting. It’s clear I’m just projecting. The things I hate about you are the things I hate about myself,” she said.'

Few trolls are so honest with themselves and others. Some have been taking pleasure in hurting others so long that there is no changing their behavior. So what's to be done?


The Battle

So what do we, as a community, do about the trolls?

Respect. Reflect. Rethink.

First, we can make sure WE aren't part of the problem. Here's some good rules from Edutopia















Starve The Trolls
What trolls need, what they CRAVE, is attention. Recognition. They want to know they've had an affect.

Don't. Feed. Them.
Don't respond. Don't acknowledge. Put them on your blocked or ignored list so you don't see the messages. Don't even talk about them publicly; if you have a friend online, sure, vent in PM, but DO NOT let the troll see you squirm. Know from the start that they're not here for a reasoned discussion, they're here to see you flinch. Don't blink. Turn your back. This may make them more vicious in the short term, but in the long term animals don't stay where they're not fed.

 Stand Together


Art by Simon Love

People targeted by the worst of the Trolls often feel terribly isolated. In Stein's Time article, Leslie Jones said this regarding her serious internet harassment: “I was in my apartment by myself, and I felt trapped,” Jones says. “When you’re reading all these gay and racial slurs, it was like, I can’t fight y’all. I didn’t know what to do. Do you call the police? Then they got my email, and they started sending me threats that they were going to cut off my head and stuff they do to ‘N words.’ It’s not done to express an opinion, it’s done to scare you.”
Don't leave a frightened victim to suffer alone.
If someone you know or someone you know of is suffering a trolling, get the community behind them. Don't just chat amongst yourselves about how wrong it is: contact the person directly with support. Flood their walls with positive, friendly messages. Ignore the trolls, but make absolutely sure their voices are drowned out by better things.
Here's a good example. When I heard about what had happened to Chelsea Cain through an acquaintance, I researched it, then got on several art forums I'm a part of and posted about it. On Sunday we'll be sending over 30 images of our own characters in the same t-shirt that Mockingbird wore to show our support. This is the internet equivalent of taking your neighbor a bottle of wine after they've had their house robbed and staying over to keep them company. It's how we let each other know that they're not alone.



Stop The Game

If things are escalating and the person being trolled starts to feel unsafe, there are groups out there to help.


TrollBusters: 

TrollBusters
is a rescue service for women media creators. According to the site, "TrollBusters provides just-in-time rescue services to support women journalists, bloggers and publishers who are targets of cyberharassment. We use our virtual S.O.S. team to send positive memes, endorsements and testimonials into online feeds at the point of attack. We dilute the stings of cyberbullies, trolls and other online pests to support you, your voice, your website, your business and your reputation."



Crash Override, founded by Zoe Quinn, is another anti-trolling group with a lot of work under their belt and an extensive resource center. The site describes itself like this: " Crash Override works with clients before, during, and after episodes of online abuse with a combination of public resources, private case work, and institutional outreach."

*Author's note: I was unable to discover
 the artist of
several images in this piece,
 especially the girl with the masks.
 If anyone knows, please tell me so
I can credit the creators.

Paint Your Own Mask

Unfortunately, there will always be trolls growling in the dark corners of our society. Somewhere, someone will always feel entitled to hurt someone else from some seat of perceived superiority. There will always be that person who has come to feel that their comment is funny and if you don't take the joke you're being too sensitive. Somewhere there will always be someone who feels so helpless and angry about their own life that hurting someone else is their only way to feel accomplished. It's sad but true that as creators, responsible readers and artists, we have to learn how to fight them. 

But we are a strong community, full of talent, vibrancy, wit and humor. We'll paint and craft our own online masks, weave them out of our art and our wits, our worldbuilding and our storytelling. We'll make carnival masks so beautiful that, when we walk together, you won't even be able to see the trolls for all the beauty. And we'll keep on walking through this wonderous parade called life. 
Grab your mask, it's carnival time.